Benchmark DAC3 HGC
Benchmark DAC3 HGC

Benchmark DAC3 HGC

Regular price $2,199

  • A NEW REFERENCE - GOING BEYOND THE LEGENDARY DAC1 AND DAC2

    The DAC3 is Benchmark's newest 2-channel D/A converter featuring the new ESS Technologies ES9028PRO converter chip. The DAC3 converter has lower THD and THD+N noise than Benchmark's DAC2 converter.

    Benchmark's DAC1 and DAC2 D/A converter families have been the reference to which other converters have been compared. It is rare to find a converter review that does not draw comparisons to the DAC1 or the DAC2. Benchmark converters are in daily use at many of the world's finest recording studios and mastering rooms. Benchmark converters are also enjoyed by thousands of audiophiles. Benchmark has raised the bar again ... the DAC3 defines a new reference.

    REFERENCE PERFORMANCE


    The DAC3  delivers outstanding musical detail and precise stereo imaging. It employs an advanced high-headroom digital filter design, and a high-sample-rate Asynchronous USB Audio interface. All inputs are fully isolated from interface jitter by Benchmark's new UltraLock3™ jitter attenuation system.

    Internal digital processing and conversion is 32-bits, and this processing includes 3.5 dB of headroom above 0 dBFS. This headroom prevents the DSP overloads that commonly occur in other D/A converters.

    Four balanced 32-bit D/A converters are summed together to create each balanced analog output. This 4:1 summation provides a 6 dB noise reduction, and gives the DAC3 industry-leading performance.

    DAC3 VS. DAC2

    The DAC3builds upon Benchmark’s highly successful DAC2 product family. The DAC3 maintains the familiar DAC2 form factor and feature set, but adds the higher performance available from the new ES9028PRO D/A converter. The DAC3 offers the following improvements over the DAC2:

    • Active 2nd Harmonic Compensation
    • Active 3rd Harmonic Compensation
    • Lower THD+N
    • Lower passband ripple
    • Improved frequency response
    • Faster PLL lock times
    • Faster switching between input signals

    DAC3 VS. DAC1

    The DAC3 and DAC2 added these features that were not found on the DAC1:

    • Asynchronous 192kHz USB Audio 2.0
    • 32-bit D/A conversion system
    • Word Length Display
    • Sample Rate Display
    • Polarity Control
    • Direct DSD D/A Conversion
    • -20 dB DIM
    • Bi-Directional 12V Trigger
    • Power Switch with Auto-On Function
    • Home Theater Bypass
    • Digital Pass-Through
    • High-Headroom DSP
    • Dual-Domain Hybrid Gain Control
    • Additional I/O

    NATIVE DSD CONVERSION

    All digital inputs on the DAC3 support native 192 kHz PCM or DSD64 conversion. From any input, DSD is transported with bit accuracy over DoP 1.1. DSD and PCM are both natively converted to analog. There are no DSD to PCM or PCM to DSD conversions to compromise the quality of the music. The DAC3conversion system seamlessly switches between native PCM and native DSD conversion. DSD over DoP 1.1 is supported by many media players, and DSD downloads are now available from several sources.

    DIRECT CONNECTIVITY TO POWER AMPLIFIERS

    Benchmark DAC1, DAC2, and DAC3 converters are designed to directly drive power amplifiers and speakers. Benchmark converters feature adjustable low-impedance passive attenuators at the XLR outputs that can be used to optimize the interface to the power amplifier (or powered monitor). This unique Benchmark feature optimizes the gain staging between the DAC and the power amplifier. Proper gain staging cannot be overemphasized. When audio stages are properly matched, each component in the audio chain is able to operate at its optimum signal level, and the system performance is significantly improved.

    SONICALLY-NEUTRAL STUDIO MONITORING

    All Benchmark converters are designed for maximum transparency. This transparency is absolutely essential in the studio monitoring chain. For this reason, DAC3 converters are ideal for critical reference-quality professional systems. Unlike many competing products, the DAC3 is not designed to add "euphonic" coloration to the audio. Instead it is designed to be as uncolored and natural as possible.

    STEP INTO THE STUDIO

    When Benchmark's professional converters are used in hi-fi applications, studio-quality sound can be enjoyed in a home environment. Enjoy pure music without any coloration from the electronics. Hear the music exactly the way it was heard in the studio, and exactly the way the artists intended.

    Discover the natural, uncolored, analog sound of the DAC3.

    SIT IN THE PERFORMANCE SPACE

    Transparent sound can go beyond replicating the studio experience. Recordings that have been produced with a natural and unprocessed sound can transport you to the performance space. But, this can only happen when the entire playback chain is selected for maximum transparency.

    This experience of "being there" cannot be created by systems that are designed to add "warmth" or "euphonic color" to the music. 

    •  


      AUDIO PERFORMANCE

      Fs = 44.1 to 96 kHz, 20 to 20 kHz BW, 1 kHz test tone, 0 dBFS = +24 dBu (unless noted)

      SNR – A-Weighted, 0 dBFS = +27 dBu

      128 dB

      SNR – Unweighted, 0 dBFS = +27 dBu

      126 dB

      THD+N, 1 kHz at 0 dBFS

      -113 dBFS, -113 dB, 0.00022%

      THD+N, 1 kHz at -1 dBFS

      -114 dBFS, -113 dB, 0.00022%

      THD+N, 1 kHz at –3 dBFS

      -119 dBFS, -116 dB, 0.00016%

      THD+N, 20 to 20 kHz test tone at –3 dBFS

      -113 dBFS, -110 dB, 0.00032%

      Frequency Response at Fs=192 kHz

      +0 dB, -0.015 dB (20 to 20 kHz)

      -0.015 dB at 10 Hz

      -0.005 dB at 20 kHz

      -0.031 dB at 40 kHz

      -0.15 dB at 80 kHz

      Frequency Response at Fs=48 kHz

      +0 dB, -0.015 dB (20 to 20 kHz)

      -0.015 dB at 10 Hz

      -0.005 dB at 20 kHz

      Crosstalk

      -137 dB at 20 Hz

      -130 dB at 1 kHz

      -116 dB at 20 kHz

      Maximum Amplitude of Jitter Induced Sidebands (10 kHz 0 dBFS test tone, 12.75 UI sinusoidal jitter at 1 kHz)

      < -144 dB

      Maximum Amplitude of Spurious Tones with 0 dBFS test signal

      < -138 dB

      Maximum Amplitude of Idle Tones

      < -147 dB

      Maximum Amplitude of AC line related Hum & Noise

      < -133 dB

      Inter-channel Differential Phase (Stereo Pair – any sample rate)

      +/- 0.25 degrees at 20 kHz

      Inter-channel Differential Phase (Between DAC3 Units Fs<110 kHz) Any sample rate.

      +/- 0.25 degrees at 20 kHz

      Maximum Lock Time after Fs change

      6 ms

      Soft Mute Ramp Up/Down Time

      9.6 ms

      Mute on Receive Error

      Yes

      Mute on Lock Error

      Yes

      Mute on Idle Channel

      No

      50/15 us De-Emphasis Enable

      Automatic in Consumer Mode

      De-Emphasis Method

      Digital IIR

      De-Emphasis Supported at

      Fs = 32, 44.1, 48 kHz

       

      GROUP DELAY (LATENCY)

      Delay – Digital Input to Analog Output (function of sample rate)

       

       

       

      1.36 ms at 44.1 kHz

      1.27 ms at 48 kHz

      0.90 ms at 88.2 kHz

      0.82 ms at 96 kHz

      0.51 ms at 176.4 kHz

      0.47 ms at 192 kHz

       

      DIGITAL AUDIO INPUTS

      Number of Digital Inputs (switch selected)

      5 (1 USB, 2 Optical, 2 Coaxial)

      Number of Channels

      2

      Input Sample Frequency Range

      28 to 210 kHz (Coaxial Inputs)

      28 to 96 kHz (Optical Inputs)

      44.1, 48, 88.2, 96, 176.4, 192 kHz (USB Input)

      Maximum Input Word Length

      24 bits

       

      Digital Input Impedance

      75 Ohms (Coaxial Inputs)

      DC Blocking Capacitors on Digital Inputs

      Yes (Coaxial Inputs)

      Transient and Over-Voltage Protection on Digital Inputs

      Yes (Coaxial Inputs)

      Minimum Digital Input Level

      250 mVpp (Coaxial Inputs)

      Jitter Tolerance

      (With no Measurable Change in Performance)

       

      >12.75 UI sine, 100 Hz to 3 kHz

      >1.5 UI sine at 20 kHz

      >1.5 UI sine at 40 kHz

      >1.5 UI sine at 80 kHz

      >1.5 UI sine at 90 kHz

      >0.25 UI sine above 160 kHz

      Jitter Attenuation Method

      Benchmark UltraLock3™ - all inputs

       

      BALANCED ANALOG OUTPUTS

      Number of Balanced Analog Outputs

      2

      Output Connector

      Gold-Pin Neutrik™ male XLR

      Output Impedance

      60 Ohms (Attenuator off)

      425 Ohms (Attenuator = 10 dB)

      135 Ohms (Attenuator = 20 dB)

      Analog Output Clip Point

      +30 dBu

      Factory Set Bypass Level (at 0 dBFS)

      +24 dBu (Attenuator = 0 dB)

      Output Level Range (at 0 dBFS) In ‘Variable’ Mode

      Off to +27.5 dBu (Attenuator off)

      Off to +17.5 dBu (Attenuator = 10 dB)

      Off to +7.5 dBu (Attenuator = 20 dB)

      Output Level Variation with Sample Rate (44.1 kHz vs. 96 kHz)

      < +/- 0.006 dB

       

      UNBALANCED ANALOG OUTPUTS

      Number of Unbalanced Analog Outputs

      4

      Output Connector

      RCA

      Output Impedance

      30 Ohms

      Analog Output Clip Point

      +13.5 dBu (3.7 Vrms)

      Factory Set Home Theater Bypass Output Level (at 0 dBFS)

      +8.2 dBu (2 Vrms)

      Output Level Range (with 0 dBFS digital input)

      Off to +11.7 dBu (3 Vrms)

      Output Level Variation with Sample Rate

      < +/- 0.006 dB

       

      HPA2TM HEADPHONE OUTPUTS

      Number of Headphone Outputs

      2

      Output Connectors

      ¼” TRS with switch on left-hand jack

      Output Impedance

      < 0.11 Ohms

      Output Level Control

      Stereo Control on Front Panel

      Output Level Range (at 0 dBFS) into 60-Ohm Load

      Off to +21.5 dBu (9.2 Vrms)

      Output Power 1.25 W into 30 Ohms

      Maximum Output Current

      250 mA

      Overload Protection (independent per channel)

      Current limited at 300 mA, Thermal

      Bandwidth

      > 500 kHz, -0.35 dB at 200 kHz

      THD+N at 20 mW

      -108 dB (0.0004%) into 300 Ohms, -100 dB (0.0010%) into 30 Ohms

       

      STATUS DISPLAY

      Indicators - Type and Location

      16 LED’s on Front Panel

      Selection/Status Indication

      1 – Dim/Mute

      1 - Polarity
      6 – Input
      2 – Bypass/Calibrated Output
      2 – Word length
      4 – Sample Rate

       



      AC POWER REQUIREMENTS

      Nominal Input Operating Voltage Range (VAC RMS)

      100 – 240V

      Frequency

      50-60 Hz

      Power

      < 0.5 Watts Idle
      12 Watts Typical Program
      15 Watts Maximum

      Fuses

      5 x 20 mm (2 required)
      0.5 A 250 V Slo-Blo® Type

      Min/Max Operating range (VAC RMS)

      90 – 260 VAC
      47 – 63 Hz

       

      DIMENSIONS

      Form Factor

      ½ Rack Wide, 1 RU High

      Depth behind front panel

      8.5” (216 mm)

      Overall depth including connectors but without power cord

      9.33” (237 mm)

      Width

      9.5” (249 mm)

      Height

      1.725” (44.5 mm)

       

      WEIGHT

      DAC3 only

      3 lb.

      DAC3 with remote control, power cord, extra fuses, and manual

      4 lb.

      Shipping weight

      7 lb.

      IMPORTANT FEATURES

      • Sample Rate Display
      • Word Length Display
      • 5 Digital Inputs
      • 2 Stereo Analog Inputs (2 RCA)
      • 3 Stereo Analog Outputs (2 RCA, 1 XLR)
      • Digital Pass Through
      • Native DSD Conversion
      • Polarity Switch
      • Asynchronous USB 2.0
      • Driverless Asynchronous USB 1.1
      • Home Theater Bypass
      • Bi-Directional 12 Volt Trigger
      • Power Switch
      • Low Power Consumption
      • ES9028PRO Converter

       

      MANUAL

      Detailed specifications and performance plots are available in the downloadable manual.

      DAC3 Series Manual

    DESIGNED, ASSEMBLED, AND TESTED IN THE USA

    This Benchmark product was designed, assembled, and tested in the USA using USA and imported components. Most major components are made in USA.

Benchmark DAC3 HGC
Benchmark DAC3 HGC
Benchmark DAC3 HGC
Benchmark DAC3 HGC